![]() L’argument principal avancé ici est que la culture suburbaine de Voreia Proastia se positionne sur un continuum entre l’urbain et le rural pour la simple raison qu’au niveau des pratiques langagières et des styles de vie, elle englobe à la fois des caractéristiques du monde urbain, associé aux « nouveaux pauvres » ou à la « pauvreté élégante », et du monde rural, associé aux « nouveaux riches ». A travers l’analyse de cette appropriation, nous tentons de comprendre leur signification sociale. Cet article cherche à examiner les manières selon lesquelles les discours associés aux banlieues nord d’Athènes (Voreia Proastia), considérées de manière stéréotypée comme chics, sont repris par la littérature populaire. De ce fait, ces zones constituent un domaine essentiel pour la recherche interdisciplinaire sur le paradigme urbain-rural. But if not then you need to listen to it below immediately.įeature picture courtesy of Andre Badenhorst.Les zones périurbaines donnent lieu à un train de vie auquel aspirent de nombreuses personnes, étant donné qu’elles semblent marier la vie urbaine et la vie rurale. If you’re coming to Francois En Vriende tonight then you get to experience this album first-hand, hot off the press. Wynand, Hunter and I had this idea when we were kids that when we got older we’d be sitting in our bakkies, tattooed up with a Dalmatian and a wife, never thinking that anything that would become a reality, but in a way it kinda has.” A lot of people also ask me what the early Fokof Francois would think of me now – and I say chuffed as well. He takes a small pause before musing, “I think he would be chuffed hey. I ask him what 16-year-old Frannie would think if he could see 39-year-old Frannie now. We chat casually about the fact that Van Coke is back in the ‘burbs with his family but he assures me that this time, flanked by his wife, daughter and extended Fokof family, his attitude to living there is different. Lord knows I can’t get through the whole song without my eyes fogging up and I’m half dead inside. It’s basically the “Komma” off this album and is pretty sure to induce a few tears at shows. This kind of lyrical exploration is nothing new to Van Coke, who’s been doing it alongside Kennedy for years in Fokof and incidentally, Kennedy was also Van Coke’s go-to man and helping hand lyrically on this album.Īnother track that’s sure to be a setlist highlight, and features Johnny De Ridder on piano, is “As Ek Kon”. ![]() The album also picks at day-to-day life in a precarious South Africa through “Wilde Tye” and “Bomskok”, with both tracks tapping into how a section of the population feel about, and view, the current state of the country. ![]() We captured something special with that one.” I contacted Danie and sat down with him and they explained that they grew up with Fokofpolisiekar’s tunes, so maybe it would be a good idea to write a song together, and I think it turned out great. So I realised over the last while that Spoegwolf were becoming this massive presence and after I got into their tunes I thought it would be awesome to have them on the Francois En Vriende line-up. We played the MK Awards with them when VCK was still around. “I only got into them recently but they’ve been around since 2012. “I think that they are the musical voice of the Afrikaans youth at the moment,” Van Coke explains earnestly. With Van Coke reinforcing his “En Vriende” mantra hard with the album’s title-track She hasn’t recorded in studio since she was 13 and she went in there and nailed it with all these people around her and after everything it made me go, ‘Wow this girl really is something super special’.”Ĭollaboration really is the name of the game on this album, So we booked a day in studio with Fred and she went in alongside Wynand, Hunter and a whole bunch of people who have been making music forever. “I asked Tasché if she wanted to sing on the track because I knew she’d do wonders with it. I open by asking about the album’s closing track “Hey Babe”, Van Coke’s love letter to his wife Lauren, and his duet with Voice SA winner Tasché. I ask him how long we’ve got and he says that we’ve got time, which I find ironic for one of the busiest musos on the scene. I catch Van Coke on the phone in-between the shooting of a new music video and there’s crazy commotion going on in the background. On this album, Van Coke has managed to plait several unique strands into a complete musical braid and because of this, it’s near-impossible to fault this offering. Francois Van Coke’s third solo album, Dagdrome In Suburbia, is an amalgamation of every external factor that has made him the man and musician that he is today.
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